Tuesday, 6 May 2014

Yet To Be Realised


The reason i have selected this images is because of the massages that arises by watching it. I have captured this image few years ago right before i came to UK. At that point of my life i remember my self feeling the need to leave. The image could have strong and clear narrative that could be easily seen by others.
By watching this image i immediately see the imprisonment. You cannot see any locker of anything that indicates that the person is in that position because of others and thus it could be said that there might be mental imprisonment. Nevertheless the way that the hand touches the irons, gives the sense that there is a will to leave. I cannot see the effort in doing so but i can imagine the state of mind of that person. He wants to escape but nothing else to do? In my opinion this image might be the opposite of freedom.
The elements that gives to the image narrative qualities is the composition. The colors as well as the point of view have a darkness which creates a more dramatic concept. Moreover the fact that there  is focus on the hand and the irons provides help to understanding the intended narrative.
If i am asked how this narrative could be developed through following images, i would say that the options are many. Nevertheless my first thought is that the person who is now imprisoned in a way but shows a need to leave with the jail open. Then the person who is now having the first steps to his freedom is now preparing his life to a new version of that person leaving the way he wants free from any mental imprisonments. I also wanted to say that when i saw the previous pictures of my colleague i thought of the opposite of the narrative that i understood of that image. Hence my chosen image could be said to be the reality and the previous image to be a thought or a dream or a will to leave in that way. (in mental sense) 

Monday, 5 May 2014



Personal Branding:Everyone has a personal brand but despite this fact majority of people are not aware about their personal brand. It is essential that personal brand of everyone to be unique and authentic. The key think to identify your own personal brand, is to manage to control your strengths and find effective ways to eliminate your competitors. Nowadays, in a period that technology is on their increase and affects people lives (media, internet, machinery) a photographer should be really careful when taking decisions and creating their own brand name.




Author or Criminal 


At this lecture it was given to us an image with a number of different faces. The purpose of this action was to signify and distinguish them true their look if they are criminals or authors. Unfortunately it was not specified to us who really they are. It was really interesting because me and my class mates had the opportunity to estimate an image. In addition, it helped me to not judge the people from their outward appearance and also to analyse a picture threw more criteria. 

Sunday, 4 May 2014

Personal Development Plan 


Task 1: It's really important and a key criterion for someone who want to work professionally in the photography world to present himself in the best way. So one of my goals is to create my own webpage in order to show my work and to be globally recognized. 

Task 2: A personal object for the creation, fixing, cropping and a thousands other things with this an endless tool. I want to learn more and more because this program is magical.

Task 3: Few times at the past I've tried to work on fashion photography and i found it hard. Thus, i need to expand my knowledge and experience to achieve my goal.

Task 4: Taking part in competitions and receive some positive or negatives comments gives me the boost to be better and work harder for the best.  

Task 5: I really want to travel the entire world. Its a purpose for a lifetime. But first i want to explore and photo shoot the amazing landscapes all over Cyprus. Finally  i have made a plan for this summer for covering most of the cities and villages not only in Greek site but also in to the occupied site of my country.

Evaluations of Previous Modules of Current Year


 Areas of Photographic Practice A

For this Assignment, I had to do more research and be more creative. The first think that I had to face, was the true understanding of the narrative concept. I found it really difficult, not to understand the definition but the application. How would a picture reflect to a specific narrative?  I had to make a research to many photographers in order to explore how they work and think in order to capture photos with narratives. I found Gregory Crewdson very interesting and his videos helped me in agreat way to understand his way of delivering narratives out of his pictures. Moreover I was inspired by him in thinking of an idea for my circular narrative. His series 'Beneath the Roses' had as a subject mental diseases. I developed some thoughts related to the mental state of a person in a certain situation. For that point I started developing my thoughts as I wanted for the narrative to reflect to the mental state rather than a physical action. Accordingly after finishing my presentation,  I prepare a synopsis telling a story of a girl and I wanted to deliver a story of her that would eventually take her to the starting point. I focused too much on the mental side of the story but I did not think about the delivery thought the circular narrative and after I received my feedback I see myself that the delivery would be hard to do successfully. The next idea was more depended on a physical action rather than the mind and the massage. I was following the instructions of making a simplest story and I made a narrative related to the selling of houses. I thought that the person would meet at the same point after completing specific actions as the selling and buying of a house is a never ending circle. However after the feedback I understood that there is no understanding of the reason and how my starting photo would be the ending point.  I had to think of a different story which was very difficult and I spend a few panic days as I was lost.  When I saw again my presentation and research I started developing an idea Ithat would reflect both to the mental state and the actions. I was very happy for the fact that I thought about Agoraphobia. It saved me as I then concluded to my final idea.I have no idea how I did as the fact that I had two previous failures in my preparation for the assignment. I struggled very much in thinking of a concept however I am happy for the final idea. It helped me very much in my development of my skills on delivering a photo that reflects to a narrative. Moreover I had the experience of challenging my creativity thinking and the elements that helps a photo delivering strong narratives. Even if I have no idea if I succeeded or not, I learned many things and would like to keep practicing in this aspect of photography as I think that strong photos are mostly those that have strong and clear narratives.  I have many things to learn.

 Areas of Photographic Practice B:


In this project I had the chance to get familiar and closer to Salford, to get involved with photojournalism and further to provide images capable of forming an article, and finally I got the chance to meet great people and to help the Greek Society of Salford to get known. Once again, during the period that I had to capture the photos of my final idea (by which the process was very hard and I spend even hours outside the church), I faced a problem that caused me a lot of time as I have to go to London and wait for the issuing of my new ID. Consequently I was under stress and this affected my work both physically and emotionally. Nevertheless, I have realised now that I have to set aside my feelings and divide them from my work. My influences of that conclusion arose from my research on the war photography and further the photojournalism. In respect to this, I got familiar with the needs of the media, and the need of an article being supported by photographs. Moreover, even if I am not satisfied with my work I know that I have learned many things and especially I developed a more clear view of how my work should reflect to a subject given and on how important the style of an exhibition is reflecting the images and the subject.
Though the project I also had the chance to read many articles and arguments related to photojournalism and I also appreciated the work of many practitioners who most of the times are risking their lives for the work.
One of those considered the work of Kevin Carter and his controversial image of the Struggling Girl. This man captured a great photograph that illustrated the terrible situation that such countries are facing. The controversial aspect of this photograph was the ethical outcome. How could he put his work prior to humanity and helping the girl instead of leaving her to die? It is true that the criticism affected the photographer as he committed suicide. Hence in my opinion, a photographer should divide what is humanity and what is helping though your photographs. Surely being at a war, you are helping the society of getting informed. On the other hand having a little girl that her life depends on you, then there is line to be divided on how you would choose to help her. Either by letting her die in order to capture a photo that would help in a more general way a generic issue or you will help that one individual.  This issue is very argumentative and debatable
However,
 The most significant outcome that I had is that providing a great photo, needs dedication, risks and differentiation of emotions and private life. I now know that the only reason of failing in capturing a subject is the lack of dedication and passion.
If you want to become a photographer, you have to love what you are doing and hence I know that this is what I really want to do. And hopefully in the future I will be able to get involved with photojournalism as such photographs are remaining and written in history and are visualizing the true events in the eyes of those they were there. A person can fight with every possible means, and photographing is a weapon. It is the photographer that would decide how to use it.

International Markets and Context


For this project we had to place ourselves in three different positions. First we had to act like the organizers of an international exhibition. Second, we had to act like participants in an international exhibition and third we had to maintain our role of photography student, in order to make research or the related aspect and to a practitioner that his work would be capable of being included to the exhibition and also to inspire us.
For doing the above, we were divided into groups and hence I had to act as a part of a team but also to make my own research and work. My team worked effective and each of us had an equal responsibilities. Hence we all did the research on the international market and after combining our work we had selected the nature of the exhibition. As a part of this process we had to consider all the elements of making a successful exhibition, including the location, promotion, advertising, costs, profits, subject and etc.
As a final part of our group we had to prepare a presentation that would show and explain our festival. Hence each of us had to prepare a part and also to introduce their work to each other.
In respect to my role in the group apart of my research, I had to find a practitioner. I had difficulties in doing this as at first I wanted to make a research on a practitioner that captures the moving stars. However the difficult part was to do the same thing. As I learned through my research the geographical place affects the work of a practitioner and hence I started looking for another practitioner that would be able to inspire me and to be a part of our exhibition. Hence I choose Robert d Anderson. My influence was at some point very straight forward but as I was working in my photographs I got the idea of using images of the opposite subject in order to show the difference between the movement and traffic of a city and the harmony and relaxation of the nature. I started developing this idea and I had in mind many ways that the images could work in the exhibition individually but also as my whole participation.
I might have already taken the three nature photos however; I haven’t used them as I wanted to use them in the right moment and place.  An international exhibition is the best place to show your work and by combining the subject of the exhibition and the subject that interest me the best, I am able to show sort of my identity in the world.
Generally the difficulty that I faced was the preparation of my photographs as I did not have a clear image of what I wanted to do as a participant in the event. Nevertheless, I think that my group did a great work in creating the festival and I am happy with my participation in the festival as a new practitioner.

Professional Practice for Photographic communication
 

In this assignment, I have reached a high level of research and creativity.   The subject that was given to us for this project was Re-photography.  The term re-photography was clearly understandable to me and gave me a perfect motivation to create the right structure for the project’s planning. I and my classmates had to work together in groups.
Firstly it was given to us a map of Salford and everyone in the group, had to assume a road individually.  After that we went to Salford museum to search for road photo shoots from the early 50s. Secondly we produced a short length presentation to inform our lecturer about the road we have chosen and which techniques we were going to use. 
My main idea was to be educated for the history and the cultural site of Salford, through researching and photo shooting a number of churches. The difficult part of this project was to be well-navigated in the streets of the town.  Streets where absolutely different and the old town was replaced by modern age buildings. Local shops closed due to multinational companies and shopping centers. In addition, many buildings that I spotted in the old photographs nowadays have been demolished.  While I was walking in Broad St., I met a lot of hospitable and helpful local people.
After I finished the photo shooting part of the project, I started the Photoshop editing process, using some tools of the software such as eraser, warp, cropping, adjusting and estimating exactly how to link the two images.  I have adapted some techniques of well known photographers such as Mark Klett, Dave Re etc. After several thoughts I had finally chosen which photographs I wanted to use for the Re-photography final images.
The next step was to take part in an exhibition at Salford Museum where we had to present our best edited images. My chosen image was the beautiful St. Thomas’s Church at Pendleton, Broad St. The image should be printed on foam board (359mm x 507mm). We all did a great job and the project after a great team work was successfully done. Is the first time that I’m selling my own piece of work and this situation is giving me strange thoughts because I feel that my work has value for money but in the other hand it’s my creation and is hard for me to sell it. In the near future I will deal again with re-photography because keeps culture and history alive. A re-photography is not just an image collapsed on another, but a mixture of 2 or more generations.

CV

After a few lessons on how to make a CV it was time to write my own one, that i'll be able to find a job. In fact this is the purpose of CV to provide an overview of a person's experience and other qualifications.


Name: Stelios Hadjielias                
Date of birth: 10/9/1990   
Address: Pyrou 5 Arxaggelos, Nicosia       
Phone: 99744667Email: steliosborelluss10@hotmail.comNationality: Greek-Cypriot
Gender: Male

Academic Qualifications

2012-2014: University of Salford, BA (Hons) Photography, expected graduation July 2015

Modules undertaken include: Areas of photographic practise, Directions within Photographic Communication, Exploring Issues in Design, Exploring Photographic Creative Practices International Markets and Context,  Photographic Skills, Professional Frameworks, Professional Practice for Photographic Communication, Responding to Creative Contexts

2011-2012: Salford University, School of Art and Media, International Foundation Year
Modules undertaken include: Development of Specialist Interest in Art and Design, Diagnostic Introduction to Art and Design Practise, Introduction to Digital Media for Art and Design Practise, Individual Development of Specialist
2005-2008 : Lyceum of Apostolos Markos
Lyceum Apolyterion: 15.2 / 20
IGCSE: English as Second Language (C)

Work Experience

·         Cyprus Army: Served the army 2008-2010
·         “Photo Studio Twins”: June August 2010, June- August 2011, June- August 2012, June- August 2013
Interests and Activities
·         Art: Guitar, piano, movie maker, photo-shop
·         Sports: football, basket, skydiving

Skills and Achievements
Familiar to the use of Windows Microsoft Word, Microsoft Power Point and Adobe Photoshop CS6, Movie maker
Film Cypriot bands video clips and photography in many events. (E.g. Power of the Night 



                             REFERENCES AVAILABLE ON REQUEST  

Saturday, 3 May 2014

Personal Development Plan

·   Goals

Personal goals in the short, medium & long term: As a photography student, my short goal is to finish my studies successfully. Hence, my medium goal is to go back to Cyprus and start working and gaining experience in practicing photography to my father’s photo studio. Finally, my long term goal is to take my father’s business and keep the high quality of his work.What I want to do with my studies: My studies are offering me the knowledge as well as the experience of practicing and developing my skills related with photography. Hence by the end of my studies I hope to have gained the experience and knowledge required as a starting point of my career as a photographer.Skills I need to achieve success in the area of the industry that I am interested in: As mentioned above, my dream is to take over my father’s photo studio. As part of the job there, I will have to capture events as well as making photo shoots for magazines. Therefore I will have to develop my skills in wedding photography as well as events photography. Additionally I will have to gain knowledge related to lighting, editing, to the studio equipment. Finally I will have to practice and experiment with different ways of photo shooting in order to provide the best results for my client’s requests.Attributes, skillsets, knowledge or training that i might need to achieve this: Of course, fulfilling my studies is not the only way required that would prepare me to take over a whole business. After my studies, I will have to practice and follow my father’s directions on how each requirement of the business should be done. How to work in a wedding or an event, how to capture a model, how to get prepared and of course how to edit and present my work to the clients. The studies are essential to my career however the training by my father is also important for my development.Goals in my career, in my personal life, in my work life blend/balance: It is sure that my goal is to take over the photo studio in Cyprus. This will be my work. Nevertheless, me as Stelios and as photographer i am planning to make the round of Cyprus with my camera. I love capturing the nature of Cyprus and I love showing my work to exhibitions and competitions. Therefore, at this point I am prepared that the photo studio will be my job but it would not be the only thing that would distinguishes me as a photographer.What do you want to achieve in your chosen career? Why do you want to achieve this?:As long as I remember I wanted my father’s work. I admire his work and love photography. He was able to provide for us and to make us love art and hence my sister is an artist my brother musician and me a photographer. I want to make him proud and to continue his success of his business. It might be said that I am influenced by my father in choosing photography however I know that is not just an influence. He made me love photography not just to be influenced by him neither to be the one to take over his business.

·Reality

 What have you done specifically so far to achieve your goal?: Once I decided my goal, I started working in my father’s photo studio as well as to taking photography courses in Cyprus. Later and after finishing army I came to UK in order to study photography. At this point I am in my second year of my degree and of course when I am in Cyprus I work to the photostudio and I occasionally go to “photographic adventures and  explorations” with my father or alone in different places in Cyprus.

What challenges have you met and overcome?: I am not sure that I had challenges related to photography however many other personal aspect of my life affected my progress. For example firstly I was doing a foundation for a year in Cyprus in order to be able to come to UK for studies. In fact I paid 5000 euro for nothing since it was not recognizable in UK universities. Nevertheless, I overcame this and started over a foundation in UK. At that point I failed a lesson and the university did not realize it and I started my photography course and during my degree I had to make both photography and foundation at the same time. The most challenging part was the university’s process of concluding in doing the together rather the practice of doing them together.  Generally, I did not had any great challenges that affected me for achieving my goal and I am grateful for that.What other challenges do you expect to meet?: The most challenges that I am expecting in short term are related to my studies and to the projects as I do not want to fail. My medium challenge is to be able and capable of working in a photo studio and learning easily and fast the requirements of doing so. My long term challenges are also related to my job as photographer. Will I be able to keep a business and to provide the best quality of work? Will I be able to practice photography as I want to? Will I be able to overcome the economic crisis in Cyprus? Will I be able to expand the business?What are your short/medium/long term priorities?: My short term priority is to pass the lessons and to get my degree. My medium term priority is to take over the photo studio and finally my long term priority is to be a successful photographer.

How are external forces affecting progress? : The external forces for me and as a Cypriot are related with money. With this economic crisis my studies are affected as the photo studio is affected as the people of Cyprus are affected and this goes on and on. What I mean is that if it wasn’t for the student loan I wouldn’t be able to continue my studies without working. Moreover, apart for the money other external forces that are affecting my progress are related to some personal health problems that a close person of mine is suffering from and hence I am affected. Not only in the time that I spent but also psychologically.My Skills: Since I set my goals I have developed my skills in photography and especially since I started my studies. I have learned the essentials of practicing photography and I became familiar with many aspects of photography. My creativity has been developed and though the researches I had the chance to be influenced by the work of great photographers. Apart from photography I developed my language skills and my skills related in working with others.

· Options

Do you have a first choice option, second choice option?: My first choice is my goal. To take over the photo studio. My second choice is to make exhibitions. My third choice is to work as a photojournalist and my final choice is to work in someone else’s photo studio as an employee.Generally in relation to my options I am grateful enough that I have people to guide me and help me. First of all my father, secondly my uncle who is a photographer too and finally my sister who is now successful as an artist in Cyprus and she has her own tattoo studio and exhibits her paintings and sculptures. Hence I could come easily in contact with people that could help me in developing my work and in finding a job. In Cyprus things are easy when you have people to help because of the small population. However, I just need the chances to prove myself I do not seek the easy road. I want to be recognized for the quality of my work in whatever I am doing. Hence I will never stop taking part in worldwide photography competitions and exhibitions.I want to finish my studies and I want to gain as much possible knowledge related to photography and to experiment with different ways and equipment and places. I want to make my father proud and I want to become a successful photographer able in having a big business but also in capturing aspects and themes that I love and that would identify my. I will take every chances and opportunities given to me in order to achieve my goals.



Tuesday, 7 January 2014

Critical Review - Gregory Crewdson



Gregory Crewdson, “Untitled (Birth)”, from the series: Beneath the Roses (2007)


Description:



The photograph shows a house where in the inside, the viewer can see a woman and a baby on the bed. There is snow on the outside and on the inside the baby is naked lying on the bed where the woman is sitting and just watching it. There are no vibrant colours and not so much light in the picture and the environment it might be said to be ‘cold’


Interpretation:



In relation to the way Crewdson captured the subject and the general concept of his images, he stated that “My pictures must first be beautiful, but that beauty is not enough. I strive to convey an underlying edge of anxiety, of isolation, of fear[1]. This picture reflects to the intentions of Crewdson as a viewer can feel the above feelings. The point of view makes the viewer to feel that he is standing outside in the cold night where he can see what is happening inside the house through the window. Why is the woman just sitting and watches a naked baby which it cannot be said if it is alive or dead.


Evaluation:



In my opinion this is a beautiful photograph where Crewdson has succeeded in satisfying his intentions of what a picture should be. As a viewer I can feel anxiety for many reasons. I don’t know why the baby is lying there naked and why the woman is so empty with an “impassive look”[2]. Moreover the feeling of anxiety and fear also results from the fact that there is a mystery in the reason the baby is there and especially because it might be dead. Just the thought of the assumption that the baby is dead makes me feel sorry for both the child and the woman. I create scenarios in my head about the past that this woman might had in order to be in such position. Finally, Crewdson well chose this concept of low lighting, snowing, and no vibrant colours as it helps with embracing the dramatic subject.



[1] Between Moments: Gregory Crewdson, Faded and Blurred, Nicole Rae, <http://fadedandblurred.com/spotlight/gregory-crewdson/>
[2] Why Art Photography? By Lucy Soutter, Routledge(2013). 

Critical Review- Assignment 2


Kevin Carter, “Struggling Girl”, Sudan 1993

In this assignment, we are asked to provide a photograph that appealed us, and hence provide a critical review. Through my research I have found really interesting to focus on the photographer, Kevin Carter and his worldwide known photograph ‘Struggling Girl”.

Background

As it was mentioned above, this photograph had been taken by Kevin Carter during his trip at Sudan in 26 March 1993. Near the village of Ayod, (South Sudan) where starvation and illnesses are extremely increased, Carter found a girl who was struggling to reach United Nation centre to ask for food. The photographer approached her carefully in order not to disturb the vulture and capture the best possible photograph. At the moment Carter did not realised that he had captured one of the most controversial photos in the history of photojournalism!
The photographer had sold the photo to the New York Times and other famous magazines and newspapers in 26 of March 1993. One year later, on April 1994 he was awarder with one of the most popular prizes that photographers dream for: The Pulitzer Prize.
A lot of people, who had contacted with the magazines and newspapers that published the photo were concerned with the faith of the girl and hence many had blamed Carter for not helping the girl. This was the controversial issue that came on the surface with this photo.
 St. Petersburg Time in Florida had the following comment in their magazine: ‘ the man adjusting his lens to just take the right frame of her suffering, might just as well a predator, another vulture on the scene’.
Kevin Carter had committed suicide three months after his rewarding of the Pulitzer Price.A note founded on in his car stated: "I am depressed ... I am haunted by the vivid memories of killings and corpses and anger and pain ... of starving or wounded children, of trigger-happy madmen, often police, of killer executioners ... I have gone to join Ken if I am that lucky."[1]

Critical Review
As examined above, the issue of morality and the impact to the society had a major role to the review of the photograph. Nevertheless, at this point it is crucial to examine the photographic work.
As an image of photojournalism, it was captured as a part of a larger scheme by which Carter covered “the rebel movement in famine stricken Sudan”[2]. Thus it is considered to be a part of a larger body of work.
·        

Interpretation:

As mentioned above the interpretation of this image has more of a moral nature. The, viewer, is facing the cruel reality from the worst point of view as they cannot do anything to help. Carter, succeeded of capturing his subject in reflection to his larger scheme intentions.
Thus the argument arising from the review is regarding the difference between the photographic and ethical aspect of the image.  Respectively it was provided that “The mission of photography is to explain man to man and each man to himself”[3]. Carter did that in a very effective way, even if he affected him.
·        

Evaluation:


In respect of arguments drawn above, through the views MacLeod it is steamed that that Carter made a mission of providing a well-constructed photograph by forgetting his humanity side[4]. Moreover, London Sunday Mail described it as “a truly iconographic image that captured the full horror of the famine in Sudan” [5].
In the light of the well captured photographic elements of the photo, and the criticism on the ethical grounds, I submit that as a photographer, a person, in some point, has to distinguish a good photograph and morality, and to be prepared for the impact that would have in society.


  
BIBLIOGRAPHY


BOOKS AND ONLINE SOURCES:


Ø  Agoratz P. (2004), ‘Ethical limits on documentary photography’ [Online] Available at:http://paulagortazar.blogspot.com/p/ethical-limits-in-documentary.html [Accessed on 3rd of January]
Ø  Photography News. (2013), ‘Remembering Kevin Carter and the photo that make the world weep’ [Online] Available at: http://www.photography-news.com/2013/09/remembering-kevin-carter-and-photo-that.html  [Accessed on 3rd of January]
Ø  Kevin Carter, The impact of Photojournalism: http://kevincarterpresentation.wordpress.com/ [Accessed on 7th of January]
Ø  Paul Martin, ‘I’m really sorry I didn’t pick the child up’, London Mail, Sunday, 16 October, 1994
Ø  MacLeod, S.The life and death of Kevin Carter, 1994, Retrieved from < http://members.home.nl/gerhardnijenhuis/msp/time.htm >
Ø  Todd Brandow, William A. Ewing, Edward Steichen: lives in photography (Foundation for the Exhibition of Photography,Thames & Hudson, 2007), at page 249


IMAGES:

·         Kevin Carter, “Struggling Girl”, Sudan 1993, Available at < http://cogtography.wordpress.com/2013/04/09/exampling-ethics-kevin-carter-the-struggling-girl/ >





[1] Kevin Carter, The impact of Photojournalism: http://kevincarterpresentation.wordpress.com/ [Accessed on 7th of January]
[2] Kevin Carter, The impact of Photojournalism: http://kevincarterpresentation.wordpress.com/ [Accessed on 7th of January]

[3] Todd Brandow, William A. Ewing, Edward Steichen: lives in photography (Foundation for the Exhibition of Photography,Thames & Hudson, 2007), at page 249
[4] MacLeod, S.The life and death of Kevin Carter, 1994, Retrieved from < http://members.home.nl/gerhardnijenhuis/msp/time.htm >
[5] Paul Martin, ‘I’m really sorry I didn’t pick the child up’, London Mail, Sunday, 16 October, 1994, p. 40.